Assets / Music

Music as part of production, not a disconnected library tab.

Production Studio is tied to 6 production surfaces and the same queue, usage, and publish logic used by the AI lanes. The music page now avoids fake track names and instead describes the real lanes it can support inside the platform.

Score Lane

Music should feel rhythmic and production-aware. Lead with pacing and soundtrack role, not with a fake store shelf.

Cue 01

Audio adjacency

Music selection belongs next to voice, dubbing, and edit preparation when the final output is still evolving.

Cue 02

Connected planning

Track choice should inform Flow, scene pacing, and final delivery instead of living in a separate tab that the rest of the product cannot see.

Cue 03

Honest scope

This page now avoids pretending that a full public track database is already wired into the repo when it is not.

Soundtrack lanes

3

Connected surfaces

3

Production uses

3

Next routes

4

Connected Lanes

Music currently matters because it is connected to these real surfaces.

Connected lane

Music Generation

Music Generation with integrated billing and provider guardrails.

10 credits · Pro+ · Gemini

Connected lane

Audio Studio

Voice, dubbing, and soundtrack decisions stay close enough to inform each other.

Workspace

Connected lane

Flow and publish

Music choices should survive into sequence planning, render, and final packaging.

Production

Workflow

Music should be chosen in context of the production system.

Each asset category should feel like a production-adjacent utility surface with one strong use posture instead of a generic content directory.

Audio adjacency

Music selection belongs next to voice, dubbing, and edit preparation when the final output is still evolving.

Connected planning

Track choice should inform Flow, scene pacing, and final delivery instead of living in a separate tab that the rest of the product cannot see.

Honest scope

This page now avoids pretending that a full public track database is already wired into the repo when it is not.

Use Cases

Where a connected music lane helps.

Use case 01Marketing

Launch film pacing

Choose music in the same environment where scene energy, narration, and output timing are being shaped.

Use case 02World

World ambience

Use music and beds as part of a broader environment or scene identity rather than an afterthought.

Use case 03Social

Short-form cutdowns

Keep rhythm choices near the edit and motion system when social assets are still being built.

Keep soundtrack choices inside the production system.

Use Audio Studio when music needs to stay connected to scene timing and final delivery.

Open Audio Studio